Session outline
| Public (O) | ||
|---|---|---|
| Session Sub-category | Public | |
| Session ID | O-10 | |
| Title | Visualization and Representation: Earth Science and Art Exploring the Invisible World | |
| Short Title | Earth Science Art | |
| Main Convener | Name | Yuki Araki |
| Affiliation | Kanazawa University | |
| Co-Convener 1 | Name | Takashi Toyofuku |
| Affiliation | Japan Agency for Marine-Earth Science and Technology (JAMSTEC) | |
| Co-Convener 2 | Name | Yukiko Nagai |
| Affiliation | JAMSTEC | |
| Co-Convener 3 | Name | Shota Ishida |
| Affiliation | Oita University | |
| Session Language |
J |
|
| Scope |
Science has advanced by visualizing phenomena that are difficult to observe directly, such as the Earth's interior, dark matter, fluid motion, and crystal structures. In contrast, art has represented invisible phenomena through perception and thought. Although science and art employ different approaches, visualization and representation, both seek to understand phenomena that are not directly visible. Previous Earth Science and Art sessions introduced many examples where aesthetic expressions were used to view scientific research from a broader perspective, leading to new insights. This year, the session goes beyond the aesthetic dimension to share the two methodologies of visualization in science and representation in art. Under the theme, How do we see the invisible world?, earth scientists and artists will exchange ideas, exploring subjects that require visualization and developing new approaches for achieving it. Through this process, the session aims to visualize the essence of art thinking. |
|
| Presentation Format | Oral and Poster presentation | |
| Time | Presentation No | Title | Presenter |
|---|---|---|---|
| Oral Presentation May 24 PM1 | |||
| 13:50 - 14:06 | O10-01 | Visualization of the Biological Calcification Environment: From Geochemical Proxy Calibration to pH Imaging | Takashi Toyofuku |
| 14:06 - 14:22 | O10-02 | Observation of mineral growth by using fluorescence imaging | Jun Kawano |
| 14:22 - 14:38 | O10-03 | Quantative visualization of living cell adhesion | Takahisa Matsuzaki |
| 14:38 - 14:54 | O10-04 | Can Earth Observation Data Become a "Natural Resource" for Musical Art? — The Resonance of String Quartet No. 1 "Polar Energy Budget" | Hiroto Nagai |
| 14:54 - 15:10 | O10-05 | Visualization and Sonification Not for Understanding — Representation for Being in the World | Kikoh Matsuura |
| Presentation No | Title | Presenter |
|---|---|---|
| Poster Presentation May 24 PM3 | ||
| O10-P01 | Development of SEIB-Explorer: A Visualization Environment for Understanding Dynamic Vegetation Models | Hisashi Sato |
| O10-P02 | Visualization and Invisible Processes in Environmental Dance ---Ecological Changes Perceived through Embodied Practice--- | Masatomi Iizawa |
| O10-P03 | Experiential Visual Communication: A Practical Comment Mapping Experiment for the Re-Integration of Earth Science and Art "Imaging and Representation" | Yukiko Nagai |
| O10-P04 |
Experiential Visual Communication: A Practical Comment Mapping Experiment for the Re-Integration of Earth Science and Art "Imaging and Representation" 2 |
Yuki Araki |
| O10-P05 | Experiential Visual Communication: A Practical Comment Mapping Experiment for the Re-Integration of Earth Science and Art "Imaging and Representation" | Shota Ishida |