Public (O) | ||
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Session Sub-category | Public | |
Session ID | O-02 | |
Title | Synergy of Earth Science and Art | |
Short Title | Earth Science Art | |
Main Convener | Name | Yuki Araki |
Affiliation | Kanazawa University | |
Co-Convener 1 | Name | Takashi Toyofuku |
Affiliation | Japan Agency for Marine-Earth Science and Technology (JAMSTEC) | |
Co-Convener 2 | Name | Yukiko Nagai |
Affiliation | JAMSTEC | |
Co-Convener 3 | Name | Shota Ishida |
Affiliation | Yokohama City University | |
Session Language |
J |
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Scope |
In pursuit of new scientific advancements free from fixed ideas, efforts to incorporate the philosophical thinking of art are progressing worldwide. This approach is expected to foster the ability to explore new challenges, gain a broad perspective on the essence of problems, and express results in a multimodal way. However, there are still few opportunities to truly experience the impact of this approach. In last public session titled "Why Do Organisms Create Biominerals?", scientists and art experts discussed the integration of science and art from their respective viewpoints, reflecting on how these fields could interact and influence each other. The session attracted a large audience, revealing that the co-creation of new knowledge through the rationality of science and the philosophical nature of art is indeed possible. In this session, examples of new collaborations born from last years event will be introduced, showcasing cooperative efforts between scientists in fields such as geology, volcanology, and biomineralization, and artists from a wide range of disciplines, including design and crafts. The session will explore how creative thinking can contribute to the advancement of earth sciences. |
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Presentation Format | Oral and Poster presentation | |
Invited Authors |
Shinya Sato (Fukui Prefectural University) Katsunobu Yoshida Keiko Matsumoto (Geological Survey of Japan, The National Institute of Advanced Industrial Science and Technology) Kohei Hosogaya (Department of Earth Science, Graduate School of Science, Tohoku University) Asuka SENTOKU (University of the Ryukyus) Haruka TAKAGI (Atmosphere and Ocean Research Institute, The University of Tokyo) Katsunobu Yoshida Remi Tsubaki Kazuki Ide (The University of Osaka) Yuki Araki (Kanazawa University) Shota Ishida (Yokohama City University) Yukiko Nagai (JAMSTEC) Takashi Toyofuku (Japan Agency for Marine-Earth Science and Technology (JAMSTEC)) Yuki Araki (Kanazawa University) Shota Ishida (Yokohama City University) |
Time | Presentation No | Title | Presenter |
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Oral Presentation May 25 PM2 | |||
15:33 - 15:48 | O02-01 | Functional beauty and wonder of diatoms: Micro artist in nature | Shinya Sato |
15:48 - 16:03 | O02-02 |
Case study Foraged Colors Reconnecting Colors to Life |
Katsunobu Yoshida |
16:03 - 16:18 | O02-03 | The rainbow color of scoria by a structural color | Keiko Matsumoto |
16:18 - 16:33 | O02-04 | Exploring the interface between geology and art from the perspective of exhibition techniques. | Kohei Hosogaya |
16:33 - 16:48 | O02-05 | Exploring the Intersection of Earth Science and Art: A Marine Evolutionary Paleobiologist’s New Endeavor to Broaden Scientific Engagement | Asuka SENTOKU |
Presentation No | Title | Presenter |
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Poster Presentation May 25 PM3 | ||
O02-P01 | Illuminating the invisible: Interaction between science and art in planktonic foraminifera through science photography | Haruka TAKAGI |
O02-P02 |
Works (Actual printed matter) Foraged Colors Reconnecting Colors to Life |
Katsunobu Yoshida |
O02-P03 | Science communication meets art | Remi Tsubaki |
O02-P04 | Geoscience as "Art": Practice and its perplexities | Kazuki Ide |
O02-P05 | Visualizing the Diffusion of Magnesium Ions: Exploring Novel Approach to Crystal Growth Observation via Art Thinking | Yuki Araki |
O02-P06 | A Study is Drawn -Autoethnography of a conflicted Painter- | Shota Ishida |
O02-P07 | Experiential Visual Communication: A Practical Comment Mapping Experiment for the Re-Integration of Earth Science and Art | Yukiko Nagai |
O02-P08 | Experiential Visual Communication: A Practical Comment Mapping Experiment for the Re-Integration of Earth Science and Art II | Takashi Toyofuku |
O02-P09 | Experiential Visual Communication: A Practical Comment Mapping Experiment for the Re-Integration of Earth Science and Art 3 | Yuki Araki |
O02-P10 |
Experiential Visual Communication: A Practical Comment Mapping Experiment for the Re-Integration of Earth Science and Art 4 |
Shota Ishida |